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[3] [4] "Michael Jackson (The Beat Goes On)" was released as the lead single from the album on July 11, 2012. The second single "I Like It Loud" was released on September 7, 2012. [5] Lyric videos were released for both singles on Spinnin' Records with the song "Michael Jackson (The Beat Goes On)" paying tribute to American singer Michael Jackson.
Beat Goes On" is a disco song, [11] [12] [13] with funk and hip-hop influences, [10] drum beat and bell chimes, [14] as well as Williams' shimmering, thumping production, which according to Bradley Stern from Idolator, "offers Madonna the perfect groove to wax bombastic about the cathartic pleasures of dancing."
The song incorporates lyrics from Jackson's biggest hits and showcases a different direction for the band musically which features a lot more electronic effects and less guitar. [4] Speaking about their change in sound, Jean Paul Makhlouf said that it "isn’t a radical departure" and "more of an evolution."
David A. Sprecher [2] [3] (born July 2, 1981), known professionally as Yeti Beats, is an American record producer and songwriter.In May 2020, he signed an exclusive administration agreement with Warner Chappell Music following the release of Doja Cat's singles "Say So", "Juicy" and "Candy". [4]
"The Beat Goes On" is a song by English rock band Beady Eye. Featured on their debut album Different Gear, Still Speeding, it was the third official single released from the album, released on 15 July 2011. [1] They performed the single on Alan Carr: Chatty Man, on 1 July 2011.
"Freak" is a song by American rapper and singer Doja Cat released through Kemosabe Records and RCA Records on August 7, 2020. [2] Originally uploaded exclusively to SoundCloud in 2018, it was repackaged and released commercially due to popular demand by fans online. [3] [4] The single samples the 1959 song, "Put Your Head on My Shoulder" by ...
The music video features a cat meowing to the beat. io/X A video of the tune had raked in more than 267,000 views on X Friday — with fans howling with laughter and calling it the purr-fect fall ...
The backing music for the song was recorded using a group of Los Angeles session musicians nicknamed "The Wrecking Crew."The arrangement is credited to Harold Battiste, but Wrecking Crew bassist Carol Kaye asserts that at the session she devised the distinctive syncopated bass line that is featured on the released recording, replacing the original walking bass line in the prepared arrangement: