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The other traditional classes of history and portrait painting were present, but the period is more notable for a huge variety of other genres, sub-divided into numerous specialized categories, such as scenes of peasant life, landscapes, townscapes, landscapes with animals, maritime paintings, flower paintings and still lifes of various types.
Dutch art describes the history of visual arts in the Netherlands, after the United Provinces separated from Flanders. Earlier painting in the area is covered in Early Netherlandish painting and Dutch and Flemish Renaissance painting .
Still Life with Flowers in a Decorative Vase, c. 1670–1675, Mauritshuis. Very few women were professional artists during the 1600s. [5] In a 2004 book on Dutch Golden Age paintings by art historian Christopher Lloyd, van Oosterwijck was the only woman whose work was included. [6]
In the 17th century the Dutch were very interested in flowers and gardening, so paintings that highlighted the beauty of nature were highly valued. This helped to build and maintain Ruysch's clientele throughout her career. [7] In her lifetime her paintings were sold for prices as high as 750–1200 guilders.
Van Huysum's work determined the "main trends in flower paintings for sixty to eighty years after his death." [14]Fruit and flower artists whose work is described as inspired by or analogous to that of Jan van Huysum: Jacob van Huysum (his brother), Justus van Huysum (his father), Pieter Faes, Wybrand Hendriks, Paul Theodore van Brussel, Jacobus Linthorst, Jan van Os, George Jacob Jan van Os ...
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
This is a list of Dutch painters who were born and/or were primarily active in the Netherlands. For artists born and active in the Southern Netherlands , see the List of Flemish painters . The artists are sorted by century and then alphabetically by last name.
The painting illustrates the model the women worked from, as well as the relative value of Ruysch's work over that of Elliger later in the 18th-century. Haverman was registered as a pupil of the flower painter Jan van Huysum, who was known for guarding his secrets and keeping his painting knowledge in the family. This work shows the influence ...
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