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Vāmācāra (Sanskrit: वामाचार, Sanskrit pronunciation: [ʋaːmaːtɕaːɽɐ]) is a tantric term meaning "left-hand path" and is synonymous with the Sanskrit term vāmamārga. [ 1 ] [ 2 ] It is used to describe a particular mode of worship or sadhana (spiritual practice) that uses heterodox things to sublimate for spiritual growth.
The terms have their origins in tantra: the right-hand path (RHP, or dakṣiṇācāra) applied to magical groups that follow specific ethical codes and adopt social convention, while the left-hand path (LHP, or vāmācāra) adopts the opposite attitude, breaking taboos and abandoning set morality.
Taboo-breaking elements are only practiced literally by "left-hand path" tantrics (vāmācārin-s), whereas "right-hand path" tantrics (dakṣiṇācārin-s) do not follow these. [ 1 ] In the Vamachara tradition, adherents engage in literal consumption and use of the Five Ms, often in the context of ritual feasts ( ganachakra ), along with ...
The Guhyasamāja is a Mahayoga class of Tantra, which features forms of ritual practice considered "left-hand" such as the use of taboo substances like alcohol, consort practices, and charnel ground practices which evoke wrathful deities. [20]
Dattatreya is revered in all schools of Tantra, which is the philosophy followed by the Aghora tradition, and he is often depicted in Hindu artwork and its holy scriptures of folk narratives, the Puranas, indulging in Aghori "left-hand" Tantric worship as his prime practice.
In Hindu Tantra, Maithuna is the most important of the five makara (five tantric substances) and constitutes the main part of the Grand Ritual of Tantra variously known as Panchamakara, Panchatattva, and Tattva Chakra. In Tibetan Buddhism, karmamudra is often an important part of the completion stage of tantric practice.
As I near the bed, he smiles and gazes. Flower-arrows fill the world. The sport of love, its glow and luxuries are indescribable, O friend, And when I yield myself, his joy is endless. Freeing my skirt, he snatches at my garland. My downcast mind Is freed of frontiers, Though my life is held in the net of his love. He drinks my lips.
Uchchhishta Ganapati is always shown with a naked consort, who is seated on his left lap. The god is generally depicted with four arms and holds a pasha, an ankusha and a ladoo or a modak (a sweet), while the fourth arm hugs the nude goddess around her hip. She holds a lotus or another flower in the left hand.
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