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According to A. C. Bradley, "a line may be called 'end-stopped' when the sense, as well as the metre, would naturally make one pause at its close; 'run-on' when the mere sense would lead one to pass to the next line without any pause." An example of end-stopping can be found in the following extract from The Burning Babe by Robert Southwell ...
End-stopping is more frequent in early Shakespeare: as his style developed, the proportion of enjambment in his plays increased. Scholars such as Goswin König and A. C. Bradley have estimated approximate dates of undated works of Shakespeare by studying the frequency of enjambment. Endymion by John Keats, lines 2–4:
Caesura: a stop or pause in a metrical line, typically marked by punctuation. [1] Canto: a long subsection of a long narrative poem such as an epic. [1] End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line
It creates run on lines where a thought, phrase, or clause in a line of poetry does not come to an end break, but moves on to the following line. It may be employed to reinforce a central idea by eradicating the use of semi-colons, periods, or commas which may distract the reader. Enjambment is also employed to achieve a fast pace or rhythm.
Line breaks may occur mid-clause, creating enjambment, a term that literally means 'to straddle'. Enjambment "tend[s] to increase the pace of the poem", [5] whereas end-stopped lines, which are lines that break on caesuras (thought-pauses [6] often represented by ellipsis), emphasize these silences and slow the poem down. [5]
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In poetry, a couplet (/ ˈ k ʌ p l ə t / CUP-lət) or distich (/ ˈ d ɪ s t ɪ k / DISS-tick) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line ...
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery , personification , and repetition are prominent in the work.