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Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
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Unlike many states which support independent old-time and bluegrass associations, the Minnesota Bluegrass & Old-Time Music Association intermingles the genres. Peter Anick is a noted authority on fiddle music genres and is co-author with David Reiner of Old-Time Fiddling Across America [ 1 ] and a contributor of feature articles and "Folk ...
An instrumental version, as collected by John A. Lomax under the title "Angelina the Baker" [4] is a popular fiddle or banjo tune, and differs from the Stephen Foster melody. . It is part of the old time fiddle canon, but is also played by bluegrass musicians.
Most songs of the Colonial and Revolutionary periods originated in England, Scotland and Ireland and were brought over by early settlers. According to ethnomusicologist Bruno Nettl, American folk music is notable because it "At its roots is an English folk song tradition that has been modified to suit the specific requirements of America."
James Gideon "Gid" Tanner (June 6, 1885 – May 13, 1960) was an American old-time fiddler and one of the earliest stars of what would come to be known as country music. [1] His band, the Skillet Lickers , was one of the most innovative and influential string bands of the 1920s and 1930s.
John Cowan Hartford (December 30, 1937 – June 4, 2001) was an American folk, country, and bluegrass composer and musician known for his mastery of the fiddle and banjo, as well as for his witty lyrics, unique vocal style, and extensive knowledge of Mississippi River lore.