Search results
Results from the WOW.Com Content Network
In 2008, John Hudson, scholar and theatre producer, introduced the idea that Lanier wrote the works of Shakespeare. [2] [5] [6] Hudson found similarities between the works of Shakespeare and Lanier's poetry book Salve Deus Rex Judaeorum. He also noted her educated background and cosmopolitan upbringing as support of the idea.
Orville Ward Owen. Dr. Orville Ward Owen (January 1, 1854 – March 31, 1924) was an American physician, and exponent of the Baconian theory of Shakespearean authorship. Owen claimed to have discovered hidden messages contained in the works of Shakespeare/Bacon.
In November 2020, Peter Bassano, a descendant of Lanier's uncle, published a book, Shakespeare and Emilia, claiming to have found proof that Lanier is Shakespeare's Dark Lady. Bassano points to the similarity of Hilliard's alternative miniature to a description of Lord Biron's desired wife in Love's Labour's Lost : "A whitely wanton, with a ...
Gertrude Barrows Bennett (September 18, 1884 – February 2, 1948), known by the pseudonym Francis Stevens, was a pioneering American author of fantasy and science fiction. [3] Bennett wrote a number of fantasies between 1917 and 1923 [ 4 ] and has been called "the woman who invented dark fantasy ".
Anthony Holden says that the book became "something of a publishing phenomenon" – a 750-page survey of Shakespeare which gained bestseller status and drew widespread attention to its author. "If his analyses are boldly colloquial," says Holden, "at times so sounding almost as if they were dictated, his insights are unfailingly original and ...
Shakespeare on the other hand shared a reciprocal love with both his lovers; the objects of his love were “articulate, active partners.” [20] Shakespeare's sonnets are divided between his two lovers: sonnets 1–126 for a male, and sonnets 127–152 for a female; the first to a fair youth, and the second to a dark lady. Petrarch's sonnets ...
Oxfordian researchers believe that the play is an early version of Shakespeare's own play, and point to the fact that Shakespeare's version survives in three quite different early texts, Q1 (1603), Q2 (1604) and F (1623), suggesting the possibility that it was revised by the author over a period of many years.
The Dark Lady sonnets delve into sexuality, jealousy, and beauty. [11] The first sonnet of this series, Sonnet 127, begins with Shakespeare's Speaker apologizing for his mistress's un-ideal beauty, associated with old age. [12] Instead of shying away from unauthentic interpretation, he emphasizes his mistress's cruel and "black" state. [13]