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Painted during Raphael's Roman period, it is a testament to his artistic maturity, evidenced in the painting's composition, coloring and form. [4] Conti commissioned the painting to commemorate his survival of a shell that exploded near him during the Siege of Foligno, his hometown. He credited his safety to heavenly intervention.
The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
[15] [14] Most of these devotional paintings, while exhibiting variations in their iconographic details, show a deep influence of Byzantine art and stylistic principles. [11] In this manner, the San Zaccaria Altarpiece was made in relation to the two other Venetian altarpieces by Giovanni Bellini , including the San Giobbe Altarpiece (1487) and ...
The polychrome floor, and the architecture, including the base of the Madonna's throne, is depicted with the use of geometrical perspective, an innovation introduced in Italian early Renaissance art. [2] The saints portrayed are St John the Baptist and St Zenobius (patron saints of Florence), St Lucy (titular of the church where the painting ...
The painting shows an uncommon subject, with the Virgin holding the Child who writes on a book, an allusion to his intervention in the Holy Books. On the right is Saint Jerome, recognizable by his cardinal dress, leaving a book on the marble throne where the Madonna sits: in this case this is one of his traditional attributes of knowledge.
The Saint Cecilia Altarpiece is an oil painting by the Italian High Renaissance master Raphael.Completed in his later years, in around 1516–1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of Saints Paul, John the Evangelist, Augustine and Mary Magdalene.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
In addition, the illusionistic portrayal of an oriental carpet in this Renaissance painting, found draped at the foot of the throne on which the Madonna sits, functions as both an expensive and honorific covering, but also allowed Mantegna to show off his skill a painting such a finely crafted object that was produced solely in Islamic lands. [9]
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