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Germany, Year Zero (Italian: Germania anno zero) is a 1948 film directed by Roberto Rossellini, and is the final film in Rossellini's unofficial war film trilogy, following Rome, Open City and Paisà.
Roberto Gastone Zeffiro Rossellini [1] [2] (8 May 1906 – 3 June 1977) was an Italian film director, screenwriter and producer. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948).
The Man with a Cross (Italian: L'uomo dalla croce) is a 1943 Italian war film directed by Roberto Rossellini and starring Alberto Tavazzi, Roswita Schmidt and Attilio Dottesio. It was the final part of Rossellini's "Fascist trilogy" following The White Ship (1941) and A Pilot Returns (1942).
Rome, Open City (Italian: Roma città aperta), also released as Open City, [3] is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei, Celeste Negarville and Federico Fellini.
A Pilot Returns (Italian: Un pilota ritorna) is a 1942 Italian war film directed by Roberto Rossellini and starring Massimo Girotti, Michela Belmonte and Piero Lulli. The film forms part of Rossellini's "Fascist trilogy" along with The White Ship (1941) and The Man with a Cross (1943). It was made with the co-operation of the Italian Air Force. [1]
Paisan (Italian: Paisà) [a] is a 1946 Italian neorealist war drama film directed by Roberto Rossellini. In six independent episodes, it tells of the Liberation of Italy by the Allied forces during the late stage of World War II. [4] The film premiered at the Venice International Film Festival and received numerous national and international ...
Isabella Rossellini puts down her fork, straightens her back and shows me how she nailed a pivotal moment in her new movie, “Conclave,” a Vatican-set thriller that unfolds a world away from ...
Among the directors who give their contribution to the war propaganda, there is also Roberto Rossellini, author of a trilogy composed of The White Ship (1941), A Pilot Returns (1942) and The Man with a Cross (1943). Anticipating in some ways his works of maturity, the director adopted a modest and immediate style, which does not contrast the ...