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Of the two characters of the term, yóu (遊) literally means to "wander", "travel" or "move around", and xiá (俠) means someone with power who helps others in need. The term refers to the way these solitary men travelled the land using physical force or political influence to right the wrongs done to the common people by the powers that be, often judged by their personal codes of chivalry.
Pages in category "Women in ancient Chinese warfare" The following 21 pages are in this category, out of 21 total. This list may not reflect recent changes. F.
Women in war in China (2 C, 52 P) Pages in category "Chinese warriors" The following 19 pages are in this category, out of 19 total.
Name Birth Became Queen Ceased to be Queen Death Spouse Tai Si: c. 12th century BC 1099 BC 1050 BC c. 11th century BC King Wen: Queen Yi Jiang (邑姜) : 1046 BC 1043 BC King Wu
The strict division of the sexes, apparent in the policy that "men plow, women weave" (Chinese: 男耕女織), partitioned male and female histories as early as the Zhou dynasty, with the Rites of Zhou (written at the end of the Warring States Period), even stipulating that women be educated specifically in "women's rites" (Chinese: 陰禮 ...
13th-century BC Chinese women (2 P) A. Ancient Chinese princesses (3 P) C. ... Pages in category "Ancient Chinese women" The following 7 pages are in this category ...
One of the earliest references to qualities later associated with the canonical Four Great Beauties appears in the Zhuangzi.In one chapter, the women Mao Qiang and Lady Li are described as "great beauties" who "when fish see them they dart into the depths, when birds see them they soar into the skies, when deer see them they bolt away without looking back".
As she was born when her father was very old, he regarded her as "a pearl in the palm". Wang Zhaojun was endowed with dazzling beauty with an extremely intelligent mind. She was adept in playing the pipa and also mastered the ancient "Four Arts of the Chinese Scholar" – the guqin, go, calligraphy and Chinese painting.