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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1]
A woman playing a koto, depicted in 1878 by Settei Hasegawa.. Danmono (Japanese: 段物) is a traditional Japanese style of instrumental music for the koto.The few pieces of its repertoire were mostly composed and developed in the seventeenth century, and all follow a strict form of composition.
The 17-string koto (Japanese: 十七絃 or 十七弦, Hepburn: jūshichi-gen, "seventeen strings") is a variant of the koto with 17 strings instead of the typical 13.. The instrument is also known as jūshichi-gensō (十七絃箏), "17 stringed koto", or "bass koto" (although koto with a greater number of strings also exist).
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
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Few pieces are purely instrumental; most include a vocal part. Some instrumental pieces for the koto, called danmono (段もの, "thing of parts and verses"), are arranged for shamisen. Most pieces in this style are considered to be highly artistic as pure instrumental music, not as a simple description of nature and emotion.
Noh (能) or nōgaku (能楽) music is a type of theatrical music used in Noh theatre. Noh music is played by an instrumental ensemble called hayashi-kata (囃子方).The instruments used are the taiko (太鼓) stick drum, a large hourglass-shaped drum called the ōtsuzumi (大鼓), a smaller hourglass-shaped drum called the kotsuzumi (小鼓), and a bamboo flute called the nohkan (能管).
The 80-string koto, known as the hachijugen (八十絃/はちじゅうげん) in Japanese, was an invention of Japanese composer Michio Miyagi created in 1923. Miyagi added 67 strings to the traditional 13-string koto design, creating an instrument much like a western harp. Together, the 80 strings provide a far larger pitch range than the ...