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Van Gogh admired the techniques of Japanese artists. [12]Characteristic features of ukiyo-e prints include their ordinary subject matter, the distinctive cropping of their compositions, bold and assertive outlines, absent or unusual perspective, flat regions of uniform colour, uniform lighting, absence of chiaroscuro, and their emphasis on decorative patterns.
La Mousmé also known as La Mousmé, Sitting in a Cane Chair, Half-Figure (with a branch of oleander) was painted by Vincent van Gogh in 1888 while living in Arles, which van Gogh dubbed "the Japan of the south". Retreating from the city, he hoped that his time in Arles would evoke in his work the simple, yet dramatic expression of Japanese art ...
Rivière was a collector of Japanese prints who purchased works from Siegfried Bing, Tadamasa Hayashi, and Florine Langweil. [73] Vincent van Gogh, a great admirer of Hokusai, praised the quality of drawing and use of line in The Great Wave off Kanagawa, and wrote it had a "terrifying" emotional impact. [74]
Van Gogh used Régamey as a reliable source for the artistic practices and everyday scenes of Japanese life. Beginning in 1885, Van Gogh switched from collecting magazine illustrations, such as Régamey, to collecting ukiyo-e prints which could be bought in small Parisian shops. [31]
Van Gogh bought Japanese ukiyo-e woodcuts in the docklands, later incorporating elements of their style into the background of some of his paintings. [100] He was drinking heavily again, [101] and was hospitalised between February and March 1886, [102] when he was possibly also treated for syphilis. [103] [note 7]
The art of woodblock printing in Japan was of great influence for Van Gogh as he was a big collector of many Japanese pieces. [18] Throughout his lifetime, he had collected hundreds of Japanese prints, [19] including Geishas in a Landscape by Torakiyo Sato, which was then used as inspiration for the copy in the background of this portrait.
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Therefore, van Gogh's bold choices in colour and brushwork are indicative of his evolving technique as an increasingly innovative, original artist. Stylistically, van Gogh also emulated the Japonisme movement, or the European imitation of traditional Japanese art, in Landscape at Auvers in the Rain. Japanese art was known to appear decorative ...
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