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This category collects cover images that are scans, in whole or in part, from titles related to the Hulk "family" of comic books as published by Marvel Comics. This does not include cover art presented without titles, logos, trade dress, or copy.
The first superhero strip to appear in a (future) Power Comic title was the Incredible Hulk, who showed up in Smash! #16 (dated 21 May 1966). The Hulk's initial appearance took up a massive six pages, one-quarter of the 24-page issue, pushing five existing strips out of that issue (and causing the cancellation of two of them). [7]
The Hulk's initial appearance in Smash! took up a massive six pages, one-quarter of each 24-page issue, pushing fully five existing strips out of that issue, and causing the cancellation of Space Jinx and Brian's Brain (although the latter would be revived much later). [22]
Hulk Smash Avengers: Hulk Smash Avengers #1–5 2012 978-0785163053: Hulk: Season One [25] Original graphic novel 2012 978-0785163886: X-Men vs. Hulk: World War Hulk: X-Men #1–3; Hulk Team-Up #1; X-Men vs. Hulk #1; Incredible Hulk Annual #7; and material from Rampaging Hulk #2 2014 978-0785189022: Marvel Knights: Hulk – Transformé
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(Hulk vol. 1) April 1999 – February 2000 (vol. 3) March 2000 – December 2007 (Hulk vol. 2) March 2008 – October 2012 (vol. 2 cont.) September 2009 – October 2010 (Incredible Hulks) November 2010 – October 2011 (vol. 4) December 2011 – December 2012 (Indestructible Hulk) January 2013 – May 2014 (Hulk vol. 3) June 2014 – July 2015 ...
Bob Larkin (born July 10, 1949) [1] is an American comics artist primarily known for his painted covers for Marvel Comics' magazine-format titles Marvel Magazines in the 1970s and early 1980s and for his 32 painted covers on the Bantam Books paperback reissues series of the Doc Savage pulp novels.
Kevin Nowlan (born 1958) [1] is an American comics artist who works as a penciler, inker, colorist, and letterer. He has been called "one of the few artists who can be called 'artists's artist'", a master of the various disciplines of comic production, from "design to draftsmanship to dramatics".
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