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"Memphis Soul Stew" is a song by American saxophonist and bandleader King Curtis (1934–1971). The track is a narrative that describes the Memphis Soul sound in terms of a cooking recipe, with each instrument introduced by Curtis. This includes "fatback drums", "a pinch of organ" and "a half-pint of horns".
In 1965 he moved to Atlantic Records and recorded his most successful singles, "Memphis Soul Stew" and "Ode to Billie Joe" (1967). In 1966 Curtis recorded 3 songs with Jimi Hendrix, "Linda Lou", "Baby How About You" and "I Can't Take It". Unissued, the tapes were later destroyed in a fire at Atlantic's master tape library.
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Memphis soul, also known as the Memphis sound, is the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee , featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.
Documentary series "STAX: Soulsville U.S.A.," about the iconic Memphis label, is a story of groundbreaking music, hard truths and unhappy endings.
In the late 1960s and early 1970s Cogbill worked as a record producer at American Sound Studio in Memphis [1] and was part of the studio's house rhythm section, known as the Memphis Boys. [ 2 ] One of the best-known recordings featuring his bassline was Dusty Springfield 's 1969 hit " Son of a Preacher Man ", produced by Jerry Wexler and Tom ...
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Live at Fillmore West is an album by King Curtis, released in 1971.The album showcases the concert he played with his band the Kingpins at the Fillmore West venue in San Francisco in March 1971 who were supporting and backing soul singer Aretha Franklin.
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