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"Memphis Soul Stew" is a song by American saxophonist and bandleader King Curtis (1934–1971). The track is a narrative that describes the Memphis Soul sound in terms of a cooking recipe, with each instrument introduced by Curtis. This includes "fatback drums", "a pinch of organ" and "a half-pint of horns".
In 1965 he moved to Atlantic Records and recorded his most successful singles, "Memphis Soul Stew" and "Ode to Billie Joe" (1967). In 1966 Curtis recorded 3 songs with Jimi Hendrix, "Linda Lou", "Baby How About You" and "I Can't Take It". Unissued, the tapes were later destroyed in a fire at Atlantic's master tape library.
Memphis soul, also known as the Memphis sound, is the most prominent strain of Southern soul. It is a shimmering, sultry style produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee , featuring melodic unison horn lines, organ, guitar, bass, and a driving beat on the drums.
Soul Meeting is the sixth album by saxophonist King Curtis and was released on the Prestige label in 1960 as 7222 and PRLP 7222. It features performances by Curtis, Nat Adderley , Wynton Kelly , Sam Jones , Paul Chambers , Belton Evans , and Oliver Jackson .
Created Date: 8/30/2012 4:52:52 PM
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In the late 1960s and early 1970s Cogbill worked as a record producer at American Sound Studio in Memphis [1] and was part of the studio's house rhythm section, known as the Memphis Boys. [ 2 ] One of the best-known recordings featuring his bassline was Dusty Springfield 's 1969 hit " Son of a Preacher Man ", produced by Jerry Wexler and Tom ...
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