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It is the result of an ancient and widespread practice (spoliation) whereby stone that has been quarried, cut and used in a built structure is carried away to be used elsewhere. The practice is of particular interest to historians, archaeologists and architectural historians since the gravestones, monuments and architectural fragments of ...
Site plan of the Acropolis at Athens: number 13 is the sanctuary. The Sanctuary of Zeus Polieus was a walled open-air sanctuary dedicated to Zeus Polieus (city protector) around 500 BC on the Acropolis of Athens, sited to the Erechtheion's east. None of its foundations have been discovered and its trapezoid plan and many entrances have been ...
The Erechtheion [2] (/ ɪ ˈ r ɛ k θ i ə n /, latinized as Erechtheum / ɪ ˈ r ɛ k θ i ə m, ˌ ɛ r ɪ k ˈ θ iː ə m /; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias [3] is an ancient Greek Ionic temple on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena.
Greek coins are the only art form from the ancient Greek world which can still be bought and owned by private collectors of modest means. The most widespread coins, used far beyond their native territories and copied and forged by others, were the Athenian tetradrachm , issued from c. 510 to c. 38 BC , and in the Hellenistic age the Macedonian ...
The Propylaia (Greek: Προπύλαια; lit. ' Gates ') is the classical Greek Doric building complex that functioned as the monumental ceremonial gateway to the Acropolis of Athens. Built between 437 and 432 BC as a part of the Periklean Building Program, it was the last in a series of gatehouses built on the citadel.
Plan of the Ancient Agora of Athens in the Roman Imperial period (ca. 150 AD). The Stoa Poikile (Ancient Greek: ἡ ποικίλη στοά, hē poikílē stoá) or Painted Portico was a Doric stoa (a covered walkway or portico) erected around 460 BC on the north side of the Ancient Agora of Athens.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
Byzantine art grew from the art of ancient Greece and, at least before 1453, never lost sight of its classical heritage, but was distinguished from it in a number of ways. The most profound of these was that the humanist ethic of ancient Greek art was replaced by the Christian ethic.