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Judith with the Head of Holophernes, by Simon Vouet, (Alte Pinakothek, Munich) Caravaggio's Judith Beheading Holofernes Judith and Holophernes, by Michelangelo, (Sistine Chapel, Vatican City) The Book of Judith is a deuterocanonical book included in the Septuagint and the Catholic and Eastern Orthodox Christian Old Testament of the Bible but ...
Judith slaying Holofernes by Artemisia Gentileschi, 1614–18. The account of the beheading of Holofernes by Judith is given in the deuterocanonical Book of Judith, and is the subject of many paintings and sculptures from the Renaissance and Baroque periods.
Artemisia Gentileschi's painting Judith Slaying Holofernes, 1614–1620 Judith with the Head of Holofernes by Cristofano Allori, 1613. Holofernes (Ancient Greek: Ὀλοφέρνης; Hebrew: הולופרנס) was an invading Assyrian general in the Book of Judith, who was beheaded by Judith who entered his camp and decapitated him while he was intoxicated.
Judith beheading Holofernes was a very popular story amongst Baroque artists. Artemisia Gentileschi's contemporary Johann Liss stayed abreast with the Baroque style by including macabre imagery in his painting, Judith in the Tent of Holofernes. The painting shows the headless body of Holofernes slumping over.
Holofernes complies and subdues most countries to the west of Assyria, except Bethulia, a Jewish town which resists the invader. At this point Judith is introduced. As in the Bible, Judith is depicted as a wealthy, independent widow, who after the death of her husband has chosen to remain single and lead a clean and chaste life (lines 203-207).
The story of Judith and Holofernes is taken from the Book of Judith, a deuterocanonical book of the Bible that is included in the Septuagint, Catholic, and Eastern Orthodox Christian Old Testament of the Bible, but excluded from the Hebrew canon and assigned by Protestants to the Biblical apocrypha. [6]
Judith Beheading Holofernes is a painting of the biblical episode by Caravaggio, painted in c. 1598–1599 or 1602, [1] in which the widow Judith stayed with the Assyrian general Holofernes in his tent after a banquet then decapitated him after he passed out drunk. [2]
The two small panels on the story of Judith and Holofernes, which are now in the Uffizi Gallery (Nos. 1156 and 1158), are mentioned by Raffaelle Borghini in his Riposo, a work written early in the eighteenth century, and described in the following words: "Two little pictures: in one of which Holofernes is represented, lying in bed with his head cut off, and his barons standing around in ...