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Johann Christian Fischer, composer, in matching coat, waistcoat, and breeches, by Thomas Gainsborough, ca. 1780. The suit is a traditional form of men's formal clothes in the Western world. For some four hundred years, suits of matching coat, trousers, and waistcoat have been in and out of fashion.
Waistcoats may be either single-breasted, with or without lapels, or double-breasted with lapels. [1] Single-breasted models with lapels usually feature a step collar and are worn with the bottom button undone, whilst double-breasted models commonly have either a shawl collar or a peak lapel and are worn fully buttoned. [1]
Canadian legislator John Charles Rykert wears a narrow ribbon necktie and a collarless waistcoat. His coat has wide lapels. 1873. Innovations in men's fashion of the 1870s included the acceptance of patterned or figured fabrics for shirts and the general replacement of neckties tied in bow knots with the four-in-hand and later the ascot tie.
In 1666, Charles II of England, Scotland and Ireland, following the earlier example of Louis XIV of France, decreed that at court, men were to wear a long coat, a vest or waistcoat (originally called a petticoat, a term which later became applied solely to women's dress), a cravat, a periwig or wig, and breeches gathered at the knee, as well as ...
The ends of his large necktie are loosely looped and secured with a stickpin, and then tucked into his waistcoat. 1855–65. John Tyler wears a cravat tied in a floppy bow. His coat has wide lapels and contrasting waistcoat have wide lapels, 1860–62. Wilhelm Taubert wears a dark necktie tied in a bow and slightly winged collar. German, 1862.
A waistcoat (UK and Commonwealth, / ˈ w eɪ s (t) k oʊ t / or / ˈ w ɛ s k ə t /; colloquially called a weskit [1]) or vest (US and Canada) is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three ...
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