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Mademoiselle or demoiselle ([də.mwa.zɛl]) is a French courtesy title, abbreviated Mlle or Dlle, traditionally given to an unmarried woman. The equivalent in English is "Miss".
Queens and princesses were plain Madame. Nobles of the rank of duke used Monsieur le duc/Madame la duchesse, non-royal princes used Prince/Princesse (without the Monsieur/Madame), other noblemen plain Monsieur and Madame. Only servants ever addressed their employer as Monsieur le comte or Madame la baronne.
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The term is no longer commonly used because of its connotative meaning: [citation needed] "mistress" is used to refer to a woman with whom a married man is having an affair. Madam or Ma'am (/ m æ m / in General American and either / m æ m /, / m ɑː m /, or / m ə m / in Received Pronunciation. [19]): for women, a term of general respect or ...
Madam (/ ˈ m æ d əm /), or madame (/ ˈ m æ d əm / or / m ə ˈ d ɑː m /), [1] is a polite and formal form of address for women in the English language, often contracted to ma'am [2] (pronounced / ˈ m æ m / in American English [2] and this way but also / ˈ m ɑː m / in British English [3]). The term derives from the French madame ...
Suzanne Preston Blier addresses the history and meaning of Les Demoiselles d'Avignon in a 2019 book in a different way, one that draws on her African art expertise and an array of newly discovered sources she unearthed. Blier addresses the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of women from ...
Eve's Bayou is a 1997 American Southern Gothic drama film written and directed by Kasi Lemmons, who made her directorial debut with this film. Samuel L. Jackson served as a producer, and starred in the film with Lisa Nicole Carson, Jurnee Smollett, Lynn Whitfield, Debbi Morgan, Meagan Good, and Diahann Carroll.
Guy de Maupassant "Mademoiselle Fifi" is a short story by French writer Guy de Maupassant, published in 1882 in a collection of the same title.Like many of his short stories, such as Boule de Suif and Deux Amis, the story is set during the Franco-Prussian War and explores themes of class barriers, contrasts between the French and German participants, and the pointlessness of the war.