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It is the property of sound that most determines pitch. [1] The generally accepted standard hearing range for humans is 20 to 20,000 Hz. [2] [3] [4] In air at atmospheric pressure, these represent sound waves with wavelengths of 17 metres (56 ft) to 1.7 centimetres (0.67 in).
Vibration and standing waves in a string, The fundamental and the first six overtones. The fundamental frequency, often referred to simply as the fundamental (abbreviated as f 0 or f 1), is defined as the lowest frequency of a periodic waveform. [1] In music, the fundamental is the musical pitch of a note that is perceived as the lowest partial ...
In musical notation, the different vertical positions of notes indicate different pitches. Play top: Play bottom: Pitch is a perceptual property that allows sounds to be ordered on a frequency-related scale, [1] or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. [2]
The frequency of a pitch is derived by multiplying (ascending) or dividing (descending) the frequency of the previous pitch by the twelfth root of two (approximately 1.059463). [ 1 ] [ 2 ] For example, to get the frequency one semitone up from A 4 (A ♯ 4 ), multiply 440 Hz by the twelfth root of two.
The speed of sound is the distance travelled per unit of time by a sound wave as it propagates through an elastic medium. More simply, the speed of sound is how fast vibrations travel.
HF's position in the electromagnetic spectrum.. High frequency (HF) is the ITU designation [1] for the band of radio waves with frequency between 3 and 30 megahertz (MHz). It is also known as the decameter band or decameter wave as its wavelengths range from one to ten decameters (ten to one hundred meters).
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As expected, the graph of the actual tuning is not a smooth curve, but a jagged line with peaks and troughs. This might be the result of imprecise tuning, inexact measurement, or the piano's innate variability in string scaling. It has also been suggested with Monte-Carlo simulation that such a shape comes from the way humans match pitch intervals.