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Vitruvius continues by giving the correct proportions for an atrium (length:width ratios for the atrium, and their proportion to that of the opening in the roof, width:height ratios for the atrium, and the proportions (relative to the atrium) of the adjacent rooms that are alcoves open on the atrium side, the tablinum and alae). It is worth ...
In a domus, a large house in ancient Roman architecture, the atrium was the open central court with enclosed rooms on all sides. In the middle of the atrium was the impluvium, a shallow pool sunken into the floor to catch rainwater from the roof. Some surviving examples are beautifully decorated.
The domus included multiple rooms, indoor courtyards, gardens and beautifully painted walls that were elaborately laid out. The vestibulum ('entrance hall') led into a large central hall: the atrium, which was the focal point of the domus and contained a statue of or an altar to the household
Architectural details of a Domus italica with the tablinum marked number 5.. In Roman architecture, a tablinum (or tabulinum, from tabula, board, picture) was a room generally situated on one side of the atrium and opposite to the entrance; it opened in the rear onto the peristyle, with either a large window or only an anteroom or curtain.
Sunken part of the atrium in a Greek or Roman house (domus) designed to carry away rainwater coming through the compluvium of the roof. In situ In place, on site or in position. Insula 1. City block in a city plan, i.e. a building area surrounded by four streets. 2.
A domus, with impluvium numbered 7. The impluvium (pl.: impluvia) is a water-catchment pool system meant to capture rain-water flowing from the compluvium, an area of roof. [1] [2] Often placed in a courtyard, under an opening in the roof, and thus "inside", instead of "outside", a building, it is a notable feature in many architectural traditions.
Diagram of a typical Roman domus.. Fauces is an architectural term given by Vitruvius (Arch. 3.6.3) to narrow passages on either side of the tablinum, through which access could be obtained from the atrium to the peristylar court in the rear. [1]
The atrium was the focal point of art in the House of the Tragic Poet. Except for the House of the Vettii, it contained more large-scale, mythological frescoes than any other home in Pompeii. Each image was approximately four feet square, making figures slightly smaller than life-size.