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Counting no old thing old, thou mine, I thine, Even as when first I hallowed thy fair name. So that eternal love in love’s fresh case Weighs not the dust and injury of age, Nor gives to necessary wrinkles place, But makes antiquity for aye his page; Finding the first conceit of love there bred, Where time and outward form would show it dead.
In addition to the preparation poetry seen by Edward Taylor, the Puritan woman Anne Bradstreet wrote dense poetry of her own. She spoke in a deeply personal manner distant from the general understanding of the role of Puritan women. She used poetry as a mode of demonstrating her love for family, husband, and God.
In this context, the master-servant trope commonplace in Petrarchan love poetry is literalised, by the poem's address to an imagined noble. Helen Vendler argues that the speaker's identification of himself as a slave or vassal invites skepticism rather than identification; however, others have stressed the appropriateness of the metaphor in the ...
In the 17th century, the word Puritan was a term applied not to just one group but to many. Historians still debate a precise definition of Puritanism. [6] Originally, Puritan was a pejorative term characterizing certain Protestant groups as extremist. Thomas Fuller, in his Church History, dates the first use of the word to 1564.
Collinson has discussed a moderate Puritanism, as contrasted to an extreme Puritanism that demanded presbyterianism in church polity. [11] Ferrell argues that conforming Puritanism was at the same time part of a theological consensus, and in terms of church polity a target of the sustained and divisive Jacobean polemical campaign against ...
A late Victorian English poem from the 1880s, "Chertsey Curfew" by Boyd Montgomerie Ranking, treats the same events. [8] In 1895, Stanley Hawley wrote music to accompany the poem's recitation (a performance tradition known as melodrama). This was published as sheet music by Robert Cooks and Co. [9] The poem was widely known in the English ...
It appears, however, that the Fair Youth's return yielded a happier series of poems, in which Shakespeare describes the return of his muse and speaks of the youth with "a lighter heart, and once more exalts his virtues, truth and constancy" [3] For historians like Massey, the sonnet is mainly an honest expression of happiness and joy at the ...
Portrait of Mr. Christor. Love, minister. Christopher Love (1618, Cardiff, Wales – 22 August 1651, London) was a Welsh Presbyterian preacher and activist during the English Civil War. In 1651, he was executed by the English government for plotting with the exiled Stuart court. The Puritan faction in England considered Love to be a martyr and ...