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Hand with Reflecting Sphere, also known as Self-Portrait in Spherical Mirror, is a lithograph by Dutch artist M. C. Escher, first printed in January 1935. The piece depicts a hand holding a reflective sphere. In the reflection, most of the room around Escher can be seen, and the hand holding the sphere is revealed to be Escher's. [citation needed]
The background is dark, but in the bottle can be seen the reflection of Escher's studio and Escher himself sketching the scene. Self-portraits in reflective spherical surfaces can be found in Escher's early ink drawings and in his prints as late as the 1950s. The metal bird/human sculpture is real and was given to Escher by his father-in-law.
The mirror system can also cause noise and vibration. Partially reflective (pellicle) fixed mirrors avoid these problems and have been used in a very few designs including the Canon Pellix and the Canon EOS-1N RS, but these designs introduce their own problems. These pellicle mirrors reduce the amount of light travelling to the film plane or ...
Jonathan Miller, On Reflection, 1998, National Gallery, ISBN 1-85709-237-6. Liz Rideal, Whitney Chadwick, Frances Borzello, Mirror Mirror - Self-portraits by women artists, New York, Watson-Guptill, 2002, ISBN 0823030717; Natalie Rudd, The Self-portrait, Thames & Hudson, 2021, ISBN 9780500295816
István, Orosz (2000) Artistic Expression of Mirror, Reflection and Perspective. Symmetry. – (2002) Portland Press, London. István, Orosz (2003) The Mirrors of the Master. Escher Legacy. Springer-Verlag, Berlin, Heidelberg, New York. Quay, Stephen and Timothy (1991) De Artificiali Perspectiva, or Anamorphosis (film)
Convex mirror lets motorists see around a corner. Detail of the convex mirror in the Arnolfini Portrait. The passenger-side mirror on a car is typically a convex mirror. In some countries, these are labeled with the safety warning "Objects in mirror are closer than they appear", to warn the driver of the convex mirror's distorting effects on distance perception.
Amorphous's recent projects use distortion mirror boards created with reflective material. In her series Glass Houses, she appears in a series of surreal and distorted self-portraits which look as if they were submerged in water. [13] Of the series, Lancia Trendvisions wrote: "The mirror is just a surface. Exactly like the photographs that ...
Girl before a Mirror (French: Jeune fille devant un miroir) is an oil on canvas painting by Pablo Picasso, which he created in 1932.The painting is a portrait of Picasso's mistress and muse, Marie-Thérèse Walter, who is depicted standing in front of a mirror looking at her reflection.
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