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Otherwise, Seneca was mainly known through a large number of quotes and extracts in the florilegia, which were popular throughout the medieval period. [82] When his writings were read in the later Middle Ages, it was mostly his Letters to Lucilius—the longer essays and plays being relatively unknown. [83]
The earliest known reference to them is in Jerome's On Illustrious Men chapter 12, a work of around 392 CE: [7]. Lucius Annaeus Seneca of Cordova, a disciple of the Stoic Sotion, and paternal uncle of the poet Lucan, was a man of very temperate life whom I would not place in a catalogue of saints, were it not that I was prompted to do so by those Letters from Paul to Seneca and from Seneca to ...
Epistulae Morales ad Lucilium (Latin for "Moral Letters to Lucilius"), also known as the Moral Epistles and Letters from a Stoic, is a letter collection of 124 letters that Seneca the Younger wrote at the end of his life, during his retirement, after he had worked for the Emperor Nero for more than ten years.
Lucius Annaeus Seneca the Younger, known as Seneca, was born over 2000 years ago in Southern Spain and then educated in Rome. ... Many of Seneca's quotes focus on perseverance throughout life.
Later, this same tome supplied stories for European literature of the late Middle Ages, namely the 14th century anecdotes-collection known as the Gesta Romanorum. Each of Seneca's books was introduced by a preface, an approach he compared to that adopted by organizers of gladiatorial shows. [18]
Jason is made a more appealing figure by Seneca - thus strengthening the justification for, and power of, Medea’s passion. [9] Nevertheless, the increased degree of stage violence in the Seneca version, [10] and its extra gruesomeness, has led it to be seen as a coarser and more sensational version of Euripides’ play. [11]
De Beneficiis (English: On Benefits) is a first-century work by Seneca the Younger.It forms part of a series of moral essays (or "Dialogues") composed by Seneca. De Beneficiis concerns the award and reception of gifts and favours within society, and examines the complex nature and role of gratitude within the context of Stoic ethics.
While Seneca's plays evoke Aeschylus' Oresteia in narrative and characters, they also serve the important purpose of shedding light on unclear scenes in the original Agamemnon. Additionally, Seneca once again philosophizes the original story further, while adding more violently-detailed recounts of the murders that took place off-stage. [12]