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Downtown was released in 1985 and featured three singles, "Little Wild One (No. 5)", "Blues Is King", and "The Distance Between"."Blues Is King" was inspired by the B.B. King album Blues Is King; Crenshaw was mixed on the song, saying, "I was never 100 percent happy with the lyrics, but I always thought the music was really beautiful, and that the track was nice, too.
"Blues Is King" was released as the third track on Crenshaw's third album, Downtown, in 1985. Though it was not released commercially as a single, a promotional single with the song on both sides was released that same year to DJs. [5] The song has also appeared on the compilation This Is Easy: The Best of Marshall Crenshaw.
Marshall Howard Crenshaw (born November 11, 1953) is an American musician, singer, songwriter, and guitarist best known for hit songs such as "Someday, Someway", a US top 40 hit in 1982, "Cynical Girl", and "Whenever You're on My Mind".
It should only contain pages that are Marshall Crenshaw albums or lists of Marshall Crenshaw albums, as well as subcategories containing those things (themselves set categories). Topics about Marshall Crenshaw albums in general should be placed in relevant topic categories .
Crenshaw performing in 1987. Crenshaw noted that the album represented a more guitar-heavy sound when compared to its predecessor, 1985's Downtown. He explained, "I rediscovered the sound of turning my guitar amplifier all the way up. This was kind of a reactionary move after Downtown, which was a slick record with a clean, twangy guitar sound."
In the late 1970s, Marshall Crenshaw moved from his home state of Michigan to New York City to perform in the musical Beatlemania. [3] During this time, Crenshaw began to write songs that later appeared on his debut album, including "Someday, Someway"; he said "While I was on the verge of leaving the show, in Boston, I wrote 'Someday, Someway' and five or six of the other tunes on my first album.
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Marshall signed with Warner Brothers in 1981, and the trio recorded the album Marshall Crenshaw. [2] Robert also drummed on Marshall's follow-up album Field Day in 1983, but only appeared on two tracks on Downtown. [3] He was back on drums for 1987's Mary Jean & 9 Others, along with Graham Maby on bass. [4]
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