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"Saint Peter" is a well-known poem by iconic Australian writer and poet Henry Lawson. It was first published on 8 April 1893 in The Bulletin. [1] The poem references Saint Peter. It was written to music in 1975 by Australian musician Peter Duggan and is now a popular Australian folk song. [2]
In 2015 the Chapel choir of Corpus Christi College, Oxford recorded a choral version, with a setting written by the then senior organ scholar Peter Ladd. Scottish singer-songwriter Archie Fisher recorded poet Robert Graves' adaptation (as "passed to him by Robin Hill"), combining elements of this text and "Down in yon forest" and entitled ...
Julius Excluded from Heaven (Latin: Iulius exclusus e coelis, IE) is a dialogue that was written in 1514, commonly attributed to the Dutch humanist and theologian Desiderius Erasmus. It involves Pope Julius II , who died a year earlier, trying to persuade Saint Peter to allow him to enter Heaven by using the same tactics he applied when alive.
The novel Black House (2001), written by King and Peter Straub, also features a talking crow reminiscent of the raven in Poe's poem. [5] Part III of the novel is entitled "Night's Plutonian Shore." In Robin Jarvis 's Tales from the Wyrd Museum trilogy (1995–1998), Woden has two raven servants named Thought and Memory.
Eclogue 4, also known as the Fourth Eclogue, is a Latin poem by the Roman poet Virgil. The poem is dated to 40 BC by its mention of the consulship of Virgil's patron Gaius Asinius Pollio. The work predicts the birth of a boy, a supposed savior, who—once he is of age—will become divine and eventually rule over the world.
The poem is a dialogue between a narrator who serves as a questioner and a little girl, with part of the evolving first stanza contributed by Coleridge. [8] The poem is written in ballad form. The poem begins with the narrator asking: A simple child, dear brother Jim, That lightly draws its breath, And feels its life in every limb,
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"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. [1] It was first published in the Sunday Pictorial of London on 26 October 1919.