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Albanian tattoo patterns: 19th century (top), early 20th century (bottom). They are symbols of the Sun and the Moon ; the cross (also swastika in some tattoos) is the Albanian traditional way to represent the deified Fire – Zjarri, evidently also called with the theonym Enji. [1]
Typical markings include vertical lines from the lower lip that extend to beneath the chin. [2] According to tattoo anthropologist Lars Krutak, the width of the lines and the spacing between them were traditionally associated with each of the nine groups of Hän Gwich’in. Girls would be tattooed to identify their group.
A two coil tattoo machine. Some tribal cultures traditionally created tattoos by cutting designs into the skin and rubbing the resulting wound with ink, ashes or other agents; some cultures continue this practice, which may be an adjunct to scarification. Some cultures create tattooed marks by hand-tapping the ink into the skin using sharpened ...
Trash Polka is a tattoo style created by tattoo artists Simone Pfaff and Volker Merschky in Würzburg, Germany. [ 1 ] [ 2 ] The characteristics of Trash Polka tattoos can be a combination of naturalistic, surrealistic, [ 3 ] and photorealistic motifs with graphic, lettering, and calligraphic elements primarily in black & red.
While the tradition itself originates with indigenous tribal animism, it became closely tied to the Hindu-Buddhist concept of yantra or mystical geometric patterns used during meditation. Tattoos of yantra designs were believed to hold magic power, and were used much like the kolam tattoos of India. For these people, religion is closely tied to ...
Te Awekotuku, Ngahuia, "Tā Moko: Māori Tattoo", in Goldie, (1997) exhibition catalogue, Auckland: Auckland City Art Gallery and David Bateman, pp. 108–114. Te Awekotuku, Ngahuia, "More than Skin Deep", in Barkan, E. and Bush, R. (eds.), Claiming the Stone: Naming the Bones: Cultural Property and the Negotiation of National and Ethnic ...
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