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Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
These are underglaze painting, where the paint is applied before the glaze, which then seals it, and overglaze decoration where the painting is done in enamels after the glazed vessel has been fired, before a second lighter firing to fuse it to the glaze. There is also the use of coloured glazes, which often carry painted designs.
Underglaze decoration is applied before the glaze, usually to unfired pottery ("raw" or "greenware") but sometimes to "biscuit"-fired (an initial firing of some articles before the glazing and re-firing). [10] [11] [12] A wet glaze—usually transparent—is applied over the decoration. The pigment fuses with the glaze, and appears to be ...
Most pieces use only one of underglaze or overglaze painting. [15] Underglaze painting requires considerably more skill than overglaze, since defects in the painting will often become visible only after the firing. [14] During firing even refractory paints change color in the great heat. A light violet may turn into a dark blue, and a pale pink ...
In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. The technique essentially uses powdered glass mixed with coloured pigments, and is the application of vitreous enamel to pottery; enamelled glass is very similar but on glass. Both these ...
The 9th Imaizumi Imaemon died in 1873, two years after the abolition of the kiln, and the 10th Imaemon (1847-1927) took over as head of the family at the age of 26. In traditional Nabeshima ware, the underglaze and final firing processes were carried out in Ōkawachi, while the overglaze process was carried out in Akaemachi.
n November 1954, 29-year-old Sammy Davis Jr. was driving to Hollywood when a car crash left his eye mangled beyond repair. Doubting his potential as a one-eyed entertainer, the burgeoning performer sought a solution at the same venerable institution where other misfortunate starlets had gone to fill their vacant sockets: Mager & Gougelman, a family-owned business in New York City that has ...
The gran fuoco technique, also known as underglaze decoration, was the only one in use until the mid 18th century, but was still used even after the introduction of the piccolo fuoco (third fire) technique around 1750. Two firings were carried out at about 950 °C.
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