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He made 48 films for them, including The Maltese Falcon, To Have and Have Not, Key Largo, and Casablanca, the last of which earned Bogart his first nomination for an Academy Award for Best Actor. Bogart won the award on his second nomination, for his 1951 performance in the United Artists production The African Queen .
Humphrey DeForest Bogart (/ ˈ b oʊ ɡ ɑːr t / BOH-gart; [1] December 25, 1899 – January 14, 1957), nicknamed Bogie, was an American actor.His performances in classic Hollywood cinema made him an American cultural icon. [2]
In a Lonely Place is a 1950 American film noir directed by Nicholas Ray [2] and starring Humphrey Bogart and Gloria Grahame, produced for Bogart's Santana Productions.The script was written by Andrew P. Solt from Edmund H. North's adaptation of Dorothy B. Hughes' 1947 novel of the same name.
Katharine Hepburn and Humphrey Bogart in "The African Queen," one of Bogart's best-known films, which earned him a best actor Oscar. His fame brought him Hollywood's highest honors.
Beat the Devil is a 1953 adventure comedy film directed by John Huston, starring Humphrey Bogart, Jennifer Jones, and Gina Lollobrigida, in her American debut, and featuring Robert Morley, Peter Lorre and Bernard Lee. [5]
The Two Mrs. Carrolls is a 1947 American mystery film noir directed by Peter Godfrey and starring Humphrey Bogart, Barbara Stanwyck, and Alexis Smith.It was produced by Mark Hellinger from a screenplay by Thomas Job, based on the 1935 play of the same name by Martin Vale [3] (a pseudonym of Marguerite Vale Veiller).
Marked Woman is a 1937 American dramatic crime film directed by Lloyd Bacon and starring Bette Davis and Humphrey Bogart, with featured performances by Lola Lane, Isabel Jewell, Rosalind Marquis, Mayo Methot, Jane Bryan, Eduardo Ciannelli and Allen Jenkins.
Key Largo is a 1948 American film noir crime drama directed by John Huston and starring Humphrey Bogart, Edward G. Robinson and Lauren Bacall. The supporting cast features Lionel Barrymore and Claire Trevor. [3] [4] The film was adapted by Richard Brooks and Huston from Maxwell Anderson's 1939 play of the same name. [5]
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