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Images (usually pronounced in French as ) is a suite of six compositions for solo piano by Claude Debussy. [1] They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's Images pour orchestre. The first book was composed between 1901 and 1905, and the second book was composed in 1907. [2]
String Quartet in G Minor: Scores at the International Music Score Library Project; Performance of String Quartet by the Borromeo String Quartet at the Isabella Stewart Gardner Museum in MP3 format 'Debussy Quartet in G minor, Op. 10', lecture by Roger Parker and performance by the Badke Quartet at Gresham College, 29 January 2008
The effects of the First World War and an interest in baroque composers Couperin and Rameau inspired Debussy as he was writing the sonatas. Durand, in his memoirs entitled Quelques souvenirs d'un éditeur de musique, wrote the following about the sonatas' origin: After his famous String Quartet, Debussy had not written any more chamber music.
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
Arrangements for other combinations of instruments followed; Durand published versions for piano and strings, piano duet, harp and piano, violin and piano, and cello and piano. [11] The title of the original score was expanded by Durand to read "Danses pour harpe chromatique ou harpe à pédales, ou piano avec accompagnement d'orchestre d ...
Images pour orchestre, L. 122, is an orchestral composition in three sections by Claude Debussy, written between 1905 and 1912. Debussy had originally intended this set of Images as a two-piano sequel to the first set of Images for solo piano, as described in a letter to his publisher Durand as of September 1905. However, by March 1906, in ...
Writing "images", Debussy was purposely intending not to create linear musical progression, but a sonic representation of water. Reflets dans l'eau is also an example of the new tone colors Debussy discovered for the piano in this part of his life, and although he later refined this style, it is representative of a major breakthrough in piano ...
Completed in July 1914, the suite was Debussy's only completed composition that year. In 1915 Debussy transcribed them for piano solo. [ 1 ] Much of the music (over 100 measures ) is taken from the musical accompaniments he had written in 1901 for his friend Pierre Louÿs 's erotic lesbian poems Les Chansons de Bilitis .
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