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Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace.
Song Artist(s) Weeks at number one Ref. 2020 January 4 "Under the Graveyard" Ozzy Osbourne: 3 [a] [2] January 25 "Killing Me Slowly" Bad Wolves: 1 [3] February 1 "Attention Attention" Shinedown: 1 [4] February 8 "Inside Out" Five Finger Death Punch: 2 [5] February 22 "History of Violence" Theory of a Deadman: 1 [6] February 29 "Inside Out" Five ...
(Top) 1 # 2 A. 3 B. 4 C. 5 D. 6 E. 7 F. 8 G. 9 H. 10 I. 11 J. 12 K. 13 L. 14 M. 15 N. 16 O. 17 P. 18 Q. 19 R. 20 S. 21 T. ... Many artists have written songs about ...
In January 2023, the song was certified platinum for sales of one million copies. [8] The single remained in the top 40 for 14 weeks, and also reached number one on Billboard's Hot Dance Club Play chart. "So Emotional" was ranked sixth on the Billboard Hot 100 year-end charts (1988). The song has sold more than 1.7 million copies worldwide.
Some of the greatest rock songs of all time. For premium support please call: 800-290-4726 more ways to reach us
The 500 Greatest Songs of All Time" is a recurring song ranking compiled by the American magazine Rolling Stone. It is based on weighted votes from selected musicians, critics, and industry figures. It is based on weighted votes from selected musicians, critics, and industry figures.
Simon Frith, the British sociomusicologist and former rock critic, identifies the origins of the power ballad in the emotional singing of soul artists, particularly Ray Charles, and the adaptation of this style by performers such as Eric Burdon, Tom Jones, and Joe Cocker to produce slow-tempo songs often building to a loud and emotive chorus ...
The 2000s in rock radio in the United States saw a continued blurring of the playlists among mainstream rock and alternative rock stations. Every track that was ranked by Billboard as the number-one song of the year on its Mainstream Rock Tracks chart during the decade was also a top-five hit on the Alternative Songs chart, most of which topped both charts.