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Sylvius used the circumflex to indicate so-called "false diphthongs".Early modern French as spoken in Sylvius' time had coalesced all its true diphthongs into phonetic monophthongs; that is, a pure vowel sound, one whose articulation at both beginning and end is relatively fixed, and which does not glide up or down towards a new position of articulation.
French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
In French versification, word-final schwa is always elided before another vowel and at the ends of verses. It is pronounced before a following consonant-initial word. [ 45 ] For example, une grande femme fut ici, [yn ɡʁɑ̃d fam fy.t‿i.si] in ordinary speech, would in verse be pronounced [y.nə ɡʁɑ̃.də fa.mə fy.t‿i.si] , with the ...
The acute accent (sometimes called accento chiuso, "closed accent" in Italian) is compulsory only in words of more than one syllable stressed on their final vowel (and a few other words). Words ending in stressed -o are never marked with an acute accent ( ó ), but with a grave accent ( ò ).
In Welsh, word stress usually falls on the penultimate syllable, but one way of indicating stress on a final (short) vowel is through the use of the acute accent, often found on e in borrowed words: personél [pɛrsɔˈnɛl] "personnel", sigarét [sɪɡaˈrɛt] "cigarette", ymbarél [əmbaˈrɛl] "umbrella".
In Italian the circumflex accent is an optional accent. While the accent itself has many uses, with the letter "i" it is only used while forming the plural of male nouns ending in -io in order to minimize both ambiguity and the stressing of the wrong syllable: principio /prinˈtʃipjo/ (principle) has the plural principî /prinˈtʃipi/, and principe /ˈprintʃipe/ (prince) has principi ...
the acute accent (née) and grave accent (English poetry marking, changèd), modifying vowels or marking stresses; the circumflex (entrepôt), borrowed from French; the diaeresis (Zoë), indicating a second syllable in two consecutive vowels; the tittle, the dot found on the regular small i and small j, is removed when another diacritic is required
French orthography is sacrebleu in one word. sang-froid lit. "cold blood": coolness and composure under strain; stiff upper lip. Also pejorative in the phrase meurtre de sang-froid ("cold-blooded murder"). sans without. [53] sans-culottes
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