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The chandelier has dimensions of 27 × 12 × 12 feet (8.2 × 3.7 × 3.7 m) and is made of blown glass. The original name was Ice Blue and Spring Green Chandelier. It was created with blue, green, and yellow glass composed of fused, relatively small swirling tendrils and sharp protruding edges that extend outward from every side.
The tulip-based marble breakfast table was also designed by Kovac’s studio, with a VPS BIG Flowerpot pendant by Vernon Panton from &Tradition overhead. Living Room Photo credit: Roger Davies
They are also distinct from pendant lights, as they usually consist of multiple lamps and hang in branched frames, whereas pendant lights hang from a single cord and only contain one or two lamps with few decorative elements. Due to their size, they are often installed in large hallways and staircases, living rooms, lounges, and dining rooms ...
1992: Chandeliers, starting modestly but by the middle of the decade involving a multitude of glass orbs and shapes that in some works look like flowers, others like breasts, and still others like snakes. Chihuly has also produced a sizable volume of "Irish cylinders", [22] which are more modest in conception than his blown glass works.
Bay Window Banquette. Some dining rooms sit comfortably within the curves of a bay window. If your apartment or house is blessed with this kind of architectural detail, don't waste it.
In 2000, Chihuly's commission from the Victoria and Albert Museum for a 30-foot-high (9.1 m), blown-glass chandelier dominates the museum's main entrance. Chihuly's The Sun was on temporary display until January 2006 at Kew Gardens, London, England. The piece is 13 feet (4 m) high.