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White is a primary color across all models of color space. It most often symbolizes perfection, faith, innocence, softness, and cleanliness. [22] Brides often wear white dresses to symbolize purity. [23] However, in some Asian and Slavic cultures, as well as Ancient Egypt, white represents death and/or mourning.
White often represents purity or innocence in Western culture, [2] particularly as white clothing or objects, can be stained easily. In most Western countries white is the color worn by brides at weddings. Angels are typically depicted as clothed in white robes. In many Hollywood Westerns, bad cowboys wear black hats while the good ones wear white.
In Buddhism, the symbol of a wheel represents the perpetual cycle of death and rebirth that happens in samsara. [6] The symbol of a grave or tomb, especially one in a picturesque or unusual location, can be used to represent death, as in Nicolas Poussin's famous painting Et in Arcadia ego. Images of life in the afterlife are also symbols of death.
Rastas have traditionally avoided death and funerals, [149] meaning that many were given Christian funerals by their relatives. [150] This attitude to death is less common among more recent or moderate strands of Rastafari, with many considering death a natural part of life. [ 144 ]
Racial segregation in the United States was based on a binary classification, white vs. non-white, in which "white" was held to imply "purity" so that anyone with even the slightest amount of non-white ancestry was excluded from white privileges, and there could be no category of racially mixed people.
Graffiti with a Nazi swastika and 14/88 on a wall in Elektrostal, Moscow, Russia Graffiti with 1488 and an obscure message on a wall in Volzhsky, Volgograd Oblast, Russia "The Fourteen Words" (also abbreviated 14 or 1488) is a reference to two slogans originated by David Eden Lane, [1] [2] one of nine founding members of the defunct white supremacist terrorist organization The Order, [3] and ...
In critical race theory, the black–white binary is a paradigm through which racial history is presented as a linear story between White and Black Americans. [1] This binary has largely defined how civil rights legislation is approached in the United States, as African Americans led most of the major racial justice movements that informed civil rights era reformation. [2]
The Pulitzer prize-winning play Fairview, by Jackie Sibblies Drury, focuses on the white gaze; the play's title is a play on the phrase. [6] Hannah Miao, reviewing it, describes the White gaze as "being watched from a lens of otherness that is sometimes violently obvious, and sometimes so subtle that you find yourself wondering whether you made it up entirely.