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Physical Energy was first cast in 1902, two years before his death, and was intended to be Watts's memorial to "unknown worth". Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze ...
Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts. The gallery has been Grade II* listed on the National Heritage List for England since June 1975. [1]
The Field of Empty Chairs, east Gate of Time, and Reflecting Pool at the Oklahoma City National Memorial. The Survivor Tree is visible in the upper left corner. The Oklahoma City National Memorial as seen from the base of the reflecting pool The Survivors' Wall is the only remaining part of the Murrah Building left standing, and forms part of the memorial complex.
Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. Delicate in health and with his mother dying while he was still young, he was home-schooled by his father in a conservative interpretation of Christianity as well as via the classics such as the Iliad.
Oklahoma City: Oklahoma: Central: Art: Collection includes American and European painting and sculpture, drawings and prints, photography, glass by Dale Chihuly, information: Oklahoma City National Memorial: Oklahoma City: Oklahoma: Central: History: Memorial and museum about the Oklahoma City bombing on April 19, 1995 Oklahoma Contemporary ...
Frédéric Auguste Bartholdi – Musée Bartholdi, Colmar, France, and the Statue of Liberty Museum on Liberty Island, New York City; Benini [5] – Museo Benini, [6] Marble Falls, Texas; Rosa Bonheur – Musée de l'atelier Rosa Bonheur, Thomery, France; Fernando Botero – Museo Botero, [7] Bogota, Colombia; Antoine Bourdelle – Musée ...
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The All-Pervading is an allegorical painting produced between 1887 and 1890 by the English artist George Frederic Watts.Influenced by the Sibyls of the Sistine Chapel ceiling, it symbolises the spirit Watts saw as governing "the immeasurable expanse".