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  2. Bansuri - Wikipedia

    en.wikipedia.org/wiki/Bansuri

    Krishna with a bansuri is sometimes referred to as Venugopal. A bansuri is an ancient side-blown bamboo flute originating from Indian Subcontinent. It is an aerophone produced from bamboo and metal like material used in many Indian and Nepali Lok songs. A bansuri is traditionally made from a single hollow shaft of bamboo with seven finger holes ...

  3. Nityanand Haldipur - Wikipedia

    en.wikipedia.org/wiki/Nityanand_Haldipur

    Haldipur has received the following awards: SaMaPa award - SaMaPa is a cultural movement, which has translated from a deep-rooted vision of the Founding Chairman, the Great Music Legend Pandit Bhajan Sopori ji, in creating a unique, unbiased and empowering national level platform for presentation, propagation, and teaching of traditional music and performing arts for the artists and the young ...

  4. List of film songs based on ragas - Wikipedia

    en.wikipedia.org/wiki/List_of_film_songs_based...

    Many songs in Indian films are based on ragas of Indian classical music. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale.

  5. Madhyamavati - Wikipedia

    en.wikipedia.org/wiki/Madhyamavati

    Madhyamavati (madhyamāvati) is a raga in Carnatic music (musical scale of South Indian classical music). It is an audava rāga (or owdava rāga, meaning pentatonic scale), as it does not have all the seven musical notes . It is a janya rāga (derived scale). The equivalent of Madhyamavati in Hindustani music is Madhumad Sarang.

  6. Venu - Wikipedia

    en.wikipedia.org/wiki/Venu

    Carnatic music emphasizes the "gayaki style" or "the style of imitating the human voice". Hence the usage of gamakas and andolans require a nimble hold and a way to bend the notes smoothly on a Venu. Bansuri is more suited to Hindustani style of music due to its importance on long sustained notes and fast taans. These two instruments serve ...

  7. Bageshri - Wikipedia

    en.wikipedia.org/wiki/Bageshri

    Bageshri is an asymmetric scale that does not contain panchamam or rishabam in the ascending scale. It is called a audava-sampurna rāgam, [7] in Carnatic music classification (as it has 5 notes in ascending and 7 notes in descending scale).

  8. Ahir Bhairav - Wikipedia

    en.wikipedia.org/wiki/Ahir_Bhairav

    Chakravakam, the 16th Melakarta raga of Carnatic music, which is a sampurna scale (all seven notes in ascending and descending scale), closely resembles Ahir Bhairav. [5] However, in the modern times Ahir Bhairav raga has been used in a few Carnatic music compositions and many South Indian film songs as well.

  9. Bhimpalasi - Wikipedia

    en.wikipedia.org/wiki/Bhimpalasi

    Since the scale has 5 notes ascending and all 7 descending, the resulting jāti is Audav–Sampūrṇa. [1] It is performed in the early afternoon, from 12:00 P.M. to 3:00 P.M. (the third prahar of the day). [4] Use of dhaivat and rishabh is symmetrical in that both are approached via the succeeding notes (D from Ṉ, and R from G̱).