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Some of his works' dates can be approximated due to their mention in his writings, necessitating them to have been written before that particular entry. For Blazhevich's more obscure works, such as Concerti No. 11, 12 and 13, they exist only in handwritten manuscript form, meaning their date of creation will never be known accurately. [1]
He also experimented with writing musical fragments, for example in his Alexanderlieder (1975–1976, described as a "fragmentary song accompaniment"), cuts and dissolves for orchestra (1976–1977), Bagatelles (1977–1978), Lenz-Fragmente (1980), or more recently Fetzen (Scraps) for string quartet and accordion (1999–2004) [7]
Compositions by Johann Sebastian Bach printed during his lifetime (1685–1750) include works for keyboard instruments, such as his Clavier-Übung volumes for harpsichord and for organ, and to a lesser extent ensemble music, such as the trio sonata of The Musical Offering, and vocal music, such as a cantata published early in his career.
This offered a unique identification of all Bach's known works, a system that was quickly adopted, for instance, by the biographers: Philipp Spitta used it complementarily to the Peters edition's numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p ...
The works mentioned are sometimes excluded from lists of Mozart's operas due to their debatable form. Die Schuldigkeit des ersten Gebots is regarded as a "sacred drama", Zaide, L'oca del Cairo and Lo sposo deluso are unfinished, with only uncompleted fragments making up the latter, and Der Stein der Weisen is a collaborative work.
49 Works for violin and orchestra, including 21 concertos, and 28 shorter works; 2 Concertos for 2 violins; Julius Röntgen. Violin Concerto in A minor (1902) Violin Concerto in D major (1925/26) Violin Concerto in F-sharp minor (1931) Amanda Röntgen-Maier. Violin Concerto in D minor in one movement (1875) Ned Rorem. Violin Concerto (1984 ...
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A chronology of works is especially difficult because of missing and sometimes misleading dates; [1] as Elliott Carter put it in 1939: "[Ives] has rewritten his works so many times, adding dissonances and polyrhythms, that it is impossible to tell just at what date the works assumed the surprising form we know now." [2] This list follows James ...