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The term marimba refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. [1] The term is of Bantu origin, deriving from the prefix ma-meaning 'many' and -rimba meaning 'xylophone'. The term is akin to Kikongo and Swahili marimba or malimba. [2]
The Cubans call it marímbula, and most of the other Caribbean countries have adopted this name or some variant of it: marimba, malimba, manimba, marimbol. The instrument has a number of other names, such as marímbola (Puerto Rico), bass box, calimba (calymba), rhumba box, Church & Clap, Jazz Jim or Lazy Bass , and box lamellophone.
A special marimba, the "Century of Progress Model" was designed by Musser and produced by the Deagan company. There was a similar project in 1935 with another special marimba, the "King George Model."The largest group Musser had ever assembled was an ensemble of 300 players appearing at the "Chicago Fair of 1950," though those were "Chicago ...
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
The Classical Marimba League is dedicated to the marimba, a keyboard percussion instrument. The Classical Marimba League (CML) is an international organization dedicated to the advancement of the marimba. The musical repertoire for the marimba in the classical concert venue is quite young and sparse.
It has the same functionality as the marimba simple but the difference is the chromaticism that this instrument has. This marimba is chromatic because you can have all 12 notes of the scale. Marimba Cuache or Marimba Doble. This marimba was built with a double keyboard, one larger than the other representing the basic idea of the piano keys.
Scattered across the New York City subway system, strewn between its millions of comers and goers, are thousands of long-term loiters, perpetual itinerants, and permanent subterranean residents.
The instrument was associated largely with the folk music of Central Europe, notably Poland and eastern Germany. An early version appeared in Slovakia [7]: 98 and the earliest reference to a similar instrument came in the 14th century. [25] The first use of a European orchestral xylophone was in Camille Saint-Saëns' Danse Macabre, in 1874. [4]