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This is an accepted version of this page This is the latest accepted revision, reviewed on 29 December 2024. 1818 novel by Mary Shelley This article is about the novel by Mary Shelley. For other uses, see Frankenstein (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be ...
Percy Bysshe Shelley's 1816 poem "Mutability" in a draft of Frankenstein with his changes to the text in his handwriting. Bodleian. Oxford. Since the initial publication of Mary Wollstonecraft Shelley's novel Frankenstein; or, The Modern Prometheus in 1818, there has existed uncertainty about the extent to which Mary Shelley's husband, Percy Bysshe Shelley, contributed to the text.
Richard Rothwell, Mary Shelley, (1839-40) This is a bibliography of works by Mary Shelley (30 August 1797 – 1 February 1851), the British novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818). She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy ...
Frankenstein's monster, commonly referred to as Frankenstein, [a] is a fictional character that first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus as its main antagonist.
Victor Frankenstein is a fictional character who first appeared as the titular main protagonist of Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus.He is a Swiss scientist (born in Naples, Italy) who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature (often referred to as ...
Born in Italy, Elizabeth Lavenza was adopted by Victor's family.In the first edition (1818), she is the daughter of Victor's aunt and her Italian husband. After her mother's death, Elizabeth's father—intending to remarry—writes to Victor's father and asks if he and his wife would like to adopt the child and spare her being raised by a stepmother (as Mary Shelley had unhappily been).
Mary Shelley's Frankenstein (1818) was inspired by a dream: . When I placed my head upon my pillow, I did not sleep, nor could I be said to think. My imagination, unbidden, possessed and guided me, gifting the successive images that arose in my mind with a vividness far beyond the usual bounds of reverie.
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...