Search results
Results from the WOW.Com Content Network
The list of works at the Max Planck Institute for the History of Science includes a total of 589 German and foreign-language editions for the period from 1853 to 1950 MPI für Wissenschaftsgeschichte: Werkverzeichnis Wilhelm Wundt.The American psychologist Edwin Boring counted 494 publications by Wundt (excluding pure reprints but with revised ...
Original file (691 × 1,045 pixels, file size: 27.01 MB, MIME type: application/pdf, 468 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Philosophische Studien (Philosophical Studies) was the first journal of experimental psychology, founded by Wilhelm Wundt in 1881. [1] The first volume was published in 1883; the last, the 18th, in 1903. [2] Wundt then founded a similar volume entitled Psychologische Studien, with volumes from 1905 to 1917. [2]
Völkerpsychologie is a method of psychology that was founded in the nineteenth century by the famous psychologist, [1] Wilhelm Wundt. However, the term was first coined by post-Hegelian social philosophers Heymann Steinthal and Moritz Lazarus. [2] Wundt is widely known for his work with experimental psychology.
The "heterogony of ends" is a famous expression formulated in 1886 by German psychologist Wilhelm Wundt, to denote the phenomenon of how goal-directed activities often cause experiences that modify the original motivational pattern.
[1] This theory shifted towards the emphasis on principles concerned with emotion, motivation, and volition as it had matured. [2] These three ideas compete with one another, with the idea of creative synthesis at the center. This relates to the fact that Wundt viewed the mind as "active, creative, dynamic, and volitional."
Discover the best free online games at AOL.com - Play board, card, casino, puzzle and many more online games while chatting with others in real-time.
Wundt illusion. The Wundt illusion is an optical illusion that was first described by the German psychologist Wilhelm Wundt in the 19th century. [1] The two red vertical lines are both straight, but they may look as if they are bowed inwards to some observers. The distortion is induced by the crooked lines on the background, as in the Orbison ...