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A dining room furnished with shades and globes, 1912. Macbeth-Evans first introduced tableware items during the late 1920s and expanded into complete dinnerware lines in 1930. [4] The most popular color used in tableware was pink, and the glass made was thinner than other companies of the time, thus more fragile.
A glass paperweight commemorating the closure of the Princess Margaret Rose Orthopaedic Hospital (2002). A paperweight is a small solid object heavy enough, when placed on top of papers, to keep them from blowing away in a breeze or from moving under the strokes of a painting brush (as with Chinese calligraphy).
In Scotland, the pioneering work of Paul Ysart from the 1930s onward preceded a new generation of artists such as William Manson, Peter McDougall, Peter Holmes and John Deacons. A further impetus to reviving interest in paperweights was the publication of Evangiline Bergstrom's book, Old Glass Paperweights, the first of a new genre.
It was when Stankard displayed his early paperweights at a craft exhibit on the boardwalk of Atlantic City, New Jersey, that Reese Palley, a respected art dealer, saw his work and sponsored Stankard financially to move full-time into making glass art. In the early 1960s, paperweights made by other American paperweight makers showcased brightly ...
Lamps from the 1890s consisted of a stand, font, chimney, and often a shade. [24] The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26]
In the 1830s Bacchus produced pressed glass by using a plunger to force molten glass into a cast-iron mold. In the 1850s, they began making cased glass, which has thin layers of different colors which can be cut away to produce cameo glass. [2] Bacchus also produced cut glass items, including Venetian-style paperweights [3] and tableware. [2]
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