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Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
The documentary features interviews with a number of African-Americans with experience or expertise in horror films: Meosha Bean, Ashlee Blackwell, Robin R. Means Coleman, William Crain, Rusty Cundieff, Keith David, Loretta Devine, Ernest Dickerson, Tananarive Due, Ken Foree, Mark H. Harris, Richard Lawson, Tina Mabry, Kelly Jo Minter, Miguel A. Núñez Jr., Paula Jai Parker, Jordan Peele, Ken ...
Brute Force (aka Zelle R 17) is a 1947 American crime film noir directed by Jules Dassin, from a screenplay by Richard Brooks with cinematography by William H. Daniels. It stars Burt Lancaster, Hume Cronyn, Charles Bickford and Yvonne De Carlo. [2] This was among several noir films made by Dassin during the postwar period.
A Turner Classic Movies expert shares his top picks.
No Way Out is a 1950 American crime drama film noir [4] directed by Joseph L. Mankiewicz and starring Sidney Poitier in his film debut, alongside Richard Widmark, Linda Darnell and Stephen McNally. The film centers on an African American doctor who confronts the racism of a poor slum after he treats a racist white criminal.
Boomerang! is a 1947 American crime semidocumentary film noir based on the true story of a vagrant accused of murder. It stars Dana Andrews, Lee J. Cobb, Karl Malden, Arthur Kennedy and Jane Wyatt, with voiceovers by Reed Hadley.
The Street with No Name is a 1948 American film noir directed by William Keighley.A follow-up to The House on 92nd Street (1945), it tells the story of an undercover FBI agent, Gene Cordell (Mark Stevens), who infiltrates a deadly crime gang.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
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