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Saville was born Philip Saffer on 28 October 1927 at Marylebone, London (in later life he gave his birth year as 1930, a date repeated in all his obituaries), [5] son of Louis Saffer (who later assumed the anglicized form of the family name, "Saville", chosen by his father, Joseph Saffer, a master tailor), a travelling salesman for a clothing company, and Sadie Kathleen (known as "Kay"), née ...
Here are SNL’s twenty-five best cast members. Rachel Dratch Her five-season tenure (1999–2006) coincided with SNL ’s post-Ferrell renaissance, and she was one of the era’s unsung heroes.
Oedipus the King is a 1968 British film adaptation of the Sophoclean tragedy Oedipus Rex, directed and co-written by Philip Saville.It stars Christopher Plummer as the title character, Orson Welles as Tiresias, Lilli Palmer as Jocasta, Richard Johnson as Creon and Donald Sutherland as the leading member of the Chorus, though the latter's voice was dubbed by Valentine Dyall.
The Best House in London is a 1969 British comedy film directed by Philip Saville and starring David Hemmings, Joanna Pettet, George Sanders, Warren Mitchell, John Bird, Maurice Denham and Bill Fraser. [2] [3] It was written by Dennis Norden.
Twilight (2008) is based on the New York Times best selling [1] novel of the same name (2005) and was directed by Catherine Hardwicke. The second film, The Twilight Saga: New Moon (2009) is based on the first book's sequel (2006). [2] It was directed by Chris Weitz.
Genevieve Waite (born Genevieve Joyce Weight, [3] 13 February 1948 – 18 May 2019) was a South African actress, singer and model. [3] [4] Her best known acting role was the title character in the 1968 film Joanna. [5] She was a muse to photographer Richard Avedon, who photographed her several times for Vogue in the early 1970s.
She felt very lonely when she first arrived in Beverly Hills, but soon became friends with Donna, Kelly, Steve, David, and Andrea. She met and dated her twin brother's friend, Dylan McKay. She was the nice girl until around the second season, when her character began to progress into being more rebellious and devious.
When the movie premiered at the Radio City Music Hall, critic Andre Sennwald of The New York Times praised the film and Matthews' performance: "Evergreen is the most pleasurable musical comedy yet offered us by the ambitious British screen industry. Both in its suave and expert technical arrangement and in its superb Rodgers and Hart songs ...