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In 1950, Stuart Productions released a number of the Inkwell Studios Out of the Inkwell cartoons, and a selection of the Paramount Inkwell Imps cartoons to television. [4] In 1955, the Inkwell Imps, along with 2,500 pre-October 1950 Paramount shorts and cartoons were sold to television packagers, the majority acquired by U.M. & M. TV Corporation.
Out of the Inkwell is a 1938 Max Fleischer/Betty Boop live-action and animated short film. [1] The title and concept for the film were a tribute to the Out of the Inkwell series of films that Max Fleischer had produced during the 1920s.
Koko's first color appearance was a cameo in the cartoon "Toys Will Be Toys" (1949), one of the revived Screen Songs series produced by Famous Studios.In 1958, Max Fleischer set out to revive Out of the Inkwell for television, and a series of 100 color episodes were produced in 1960–1961 by Hal Seeger using the voice talents of Larry Storch.
Most of the silent Fleischer titles from the Out of the Inkwell/Inkwell Imps series have entered the public domain. An official Betty Boop VHS set, Betty Boop Confidential, was released by Republic Pictures in 1995, included several black-and-white Betty Boop cartoons as well as Betty's only color appearance, Poor Cinderella.
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In 1921, claymation appeared in a short sequence in the Out of the Inkwell episode Modeling, a film from the newly formed Fleischer Brothers studio. Modeling included animated clay in eight shots, a novel integration of the technique into an existing cartoon series and one of the rare uses of claymation in a theatrical short from the 1920s. [16]
In 1962, his studio produced and syndicated 100 new Out of the Inkwell cartoons, based on the Koko the Clown character, originally created by Fleischer Studios. [1] Seeger then took control of animating the opening & ending sequences for The Porky Pig Show in 1964. [3] [1]
The following year she signed another contract to distribute for Fleischer Studios on the Out of the Inkwell series. [4] This established her reputation as the top distributor in the cartoon world. It was a good thing, because at the end of the same year the Fleischer brothers, flush with success as a result of Winkler's work, left her to form ...
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