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Improvisational techniques are often used extensively in drama programs to train actors for stage, film, and television and can be an important part of the rehearsal process. However, the skills and processes of improvisation are also used outside the context of performing arts.
Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation.
An improvisational comedy group performing onstage. Improvisational theatre companies, also known as improv troupes or improv groups, are the primary practitioners of improvisational theater.
Theatresports team and referee, during a competition in Florence, Italy. Theatresports is a form of improvisational theatre, which uses the format of a competition for dramatic effect.
Classical acting is an umbrella term for a philosophy of acting that integrates the expression of the body, voice, imagination, personalizing, improvisation, external stimuli, and script analysis. It is based on the theories and systems of select classical actors and directors including Konstantin Stanislavski and Michel Saint-Denis .
Meisner training is an interdependent series of training exercises that build on one another. The more complex work supports a command of dramatic text.Students work on a series of progressively complex exercises to develop an ability to first improvise, then to access an emotional life, and finally to bring the spontaneity of improvisation and the richness of personal response to textual work ...
Improvisation, an act of spontaneous invention Improvisational theatre (includes improvisational comedy) Musical improvisation; The Improv, a chain of U.S. comedy clubs; The Improv (India), a comedy show in Bangalore; Lotus Improv, a spreadsheet program
The theatre games tradition is a method of training actors that was developed in the 20th century by practitioners such as Viola Spolin and son Paul Sills, Joan Littlewood, Clive Barker, Keith Johnstone, Jerzy Grotowski and Augusto Boal.