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The album was named the year's top traditional album by The Irish Times. [3] Canny died on 28 June 2008. He was predeceased by his wife, Philomena, and was survived by his daughters, Mary and Rita. A nephew, Martin Hayes, has captured the All Ireland fiddle championship six times and continues to record and perform traditional Irish music. [3]
The Companion to Irish Traditional Music. New York University Press. ISBN 0-8147-8802-5. a b Between the Jigs and the Reels: The Donegal Fiddle Tradition C Mac Aoidh - 1994 - Drumlin Publications; Donegal and Shetland Fiddle Music D McLaughlin, Irish Traditional Music Society - 1992 - Irish Traditional Music Society, University College, Cork
Paddy Glackin was born on 5 August 1954 in Clontarf, Dublin. [1] His father, Tom Glackin, was an officer with the Garda Síochána in Dublin and a notable fiddle player who instilled in Paddy a deep interest and love of the music of his native County Donegal, and taught him and his brothers Kevin and Seamus to play the instrument.
Frank Quinn was an Irish-American musician and bandleader, and a pioneering recording artist of traditional songs and arrangements of Irish melodies. He played the fiddle, the melodeon accordion and was a vocalist.
The event, put on by the Hudson Valley Irish Center, will be from 11 a.m. to 7 p.m. at Peekskill's Riverfront Green Park.
Ivers was born in New York City of Irish-born parents, grew up in the Bronx and attended St. Barnabas High School. [1] She spent summers in Ireland and took up the fiddle at the age of nine. Her teacher was the Irish fiddler Martin Mulvihill. [2] She toured with Mick Moloney's band The Green Fields of America, founded in 1977.
James Kelly (Irish: Séamus Ó Ceallaigh; born 1957) is an Irish fiddler, composer, collector, researcher and teacher from Dublin. [1] [2] He is the son of County Clare fiddler, John Kelly, and has played with various groups including Patrick Street and Planxty. [1]
From a violin player in the neighboring town of Glin, he learned the rudiments of the fiddle and how to read and write music; from his mother he learned the Irish traditional style. [1] His early repertoire was learned both from written sources such as the Roche Collection of Traditional Irish Music, Ker, and O'Neill's 1001, and from local ...
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