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It color matches fairly well with the Sony A7s iii and Sony a1, with the Sony A7s iii leaning a bit green, the Sony a1 a bit magenta, and this camera between the two (tested using DCS Labs -SW - CDM 28R - v15.2 A3 color chart) and with individual white balancing, the colors are very similar.
[7] [8] As an upgrade of the α7, the α7 II has the same 50 Mbit XAVC-S codec as the α7S but lacks 4K video, and the five-axis stabilization is less effective in video mode than that used in the Olympus OM-D E-M1. [9] However, the crop mode used in the α7 II does not incur "very much loss in image quality", unlike that of the Nikon D750. [9]
Sony α7R II - Full Frame 42 Megapixel Sensor, but only 100 Mbit/s in H.264 and the APS-C crop mode is better for 4K than the full frame mode; Sony α7R III; Sony α7R IV; Sony α7R V; Sony α7S - 4K: 30p/24p, 4:2:2 8 bits. Does not support internal 4K recording, must use an external recorder via HDMI, but see Sony α7S II. Only 1080p is ...
Sony released the following E-mount cameras since 2010. The E stands for the Eighteen mm flange distances of the E-mount cameras. Depending on type and model E-mount cameras are part of the Sony α, SmartShot, Handycam, NXCAM or XDCAM systems.
The latest Leica Leitz and Sharp Aquos R series phones do qualify because, despite using only 94% [b] of their 1.0-type sensors [2] [3] (with 4:3 aspect ratio), they maintain the same crop factor (2.7) and diagonal (1″) as a 1.0-type sensor with 3:2 aspect ratio, since that is the image circle for which their lenses were originally designed.
SLT (defined by Sony as "single-lens translucent") – similar in appearance to a DSLR, but featuring a fixed semi-reflective mirror. All cameras employing this technology have had two-digit model numbers, with model designations of the form "SLT-A##" or "ILCA-##".
A 50 mm lens on an APS-C format (crop factor 1.6) images a slightly smaller field of view than a 70 mm lens on a 35 mm camera. The terms crop factor and focal length multiplier were coined to help 35 mm film format SLR photographers understand how their existing ranges of lenses would perform on newly introduced DSLR cameras which had sensors smaller than the 35 mm film format, but often ...
The Sony α7R IV improved upon the earlier Sony α7R III in several notable ways: Increased sensor resolution, from 42.4 megapixels to 61.0 megapixels Increased Phase Detect Autofocus points, from 399 to 567 while maintaining the same 425 Contrast Detect Autofocus points
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