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The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios, Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [3]
Recitative and aria for soprano and orchestra: Giovanni de Gamerra Sismano nel Mogol III,7: April 1781 383 "Nehmt meinen Dank, ihr holden Gönner!" (Score/Crit. report) Aria for soprano and orchestra: unknown: 10 April 1782 416 "Mia speranza adorata! ... Ah, non sai qual pena" (Score/Crit. report) Recitavo and aria (rondo) for soprano and ...
Variations on "I Got Rhythm" (1934), a set of interesting variations on his famous song, for piano and orchestra. Premiered at the Boston Symphony Hall by the Leo Reisman Orchestra, conducted by Charles Previn. Includes a waltz, an atonal fugue, and experimentation with Asian and jazz influences
This section needs expansion. You can help by adding to it. (July 2022) ELO performing live during their 1981 Time Tour. From left: Jeff Lynne, Louis Clark (obscured), Kelly Groucutt, Bev Bevan, and Richard Tandy The English rock band Electric Light Orchestra (ELO) recorded over 190 songs from 1971 to 2019. The band's music is characterised by their blending of Beatlesque pop, classical ...
The Little Masonic Cantata (Kleine Freimaurer-Kantate ) "Laut verkünde unsre Freude", for two tenors, bass, male chorus, and orchestra, K. 623 (1791) Song for male chorus and orchestra, "Laßt uns mit geschlungen Händen", K. 623a, ("for the close of the lodge" and intended final chorus to K. 623) (1791; attribution uncertain)
The Cab Calloway Orchestra; The Capp-Pierce Juggernaut; Ralph Carmichael Big Band; Benny Carter; Casa Loma Orchestra; Cherry Poppin' Daddies (revival); Chopteeth - afrobeat; Crescent Super Band - Jazz, Jump Swing, Modern Big Band, Swing Revival, Great American Songbook
Gustav Mahler photographed by Moritz Nähr in 1907.. The musical compositions of Gustav Mahler (1860–1911) are almost exclusively in the genres of song and symphony. In his juvenile years he attempted to write opera and instrumental works; all that survives musically from those times is a single movement from a piano quartet from around 1876–78. [1]
Capriccio for Harp and String Orchestra; Capriol Suite; Celtic Voices and Hale Bopp; Concerto for Double String Orchestra (Tippett) Concerto for Piano, Violin and Strings (Mendelssohn) Concerto for Two Violins (Bach) Concerto for Two Violins and String Orchestra (Arnold) Concerto for Violin and Strings (Mendelssohn) Concerto funebre