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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
A scene from Hérold's Zampa. Zampa, ou La fiancée de marbre (Zampa, or the Marble Bride) is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville.
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
The Thieving Magpie is best known for the overture, which is musically notable for its use of snare drums. This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. Rossini wrote quickly, and La gazza ladra was no exception. A 19th-century biography quotes him as saying that ...
Light Cavalry Overture is the overture to Franz von Suppé’s operetta Light Cavalry (German: Leichte Kavallerie), [1] premiered in Vienna in 1866. [2] Although the whole operetta is rarely performed or recorded, the overture is one of Suppé's most popular compositions, and has achieved a quite distinct life of its own, divorced from the opera of which it originally formed a part.
The William Tell Overture is the overture to the opera William Tell (original French title Guillaume Tell), composed by Gioachino Rossini. William Tell premiered in 1829 and was the last of Rossini's 39 operas, after which he went into semi-retirement (he continued to compose cantatas, sacred music and secular vocal music).
Entr'acte (or entracte, French pronunciation:; [1] German: Zwischenspiel and Zwischenakt, Italian: intermezzo, Spanish: intermedio and intervalo) means 'between the acts'.It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts ...
The overture finishes with a virtuoso coda for the full orchestra. The piece is frequently paired in performance with Tchaikovsky's " 1812 Overture ," which also quotes "God Save the Tsar." In Russia, during the Soviet era , the imperial anthem was replaced in both pieces with the chorus " Glory, Glory to you, holy Rus'!