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"Baby Mama" is a song recorded by American singer Fantasia for her debut studio album Free Yourself (2004). It was written and produced by Vito Colapietro, Neely Dinkins, and Harold Lilly . The song samples from "There Will Never Be Any Peace (Until God Is Seated at the Conference Table)" by American group The Chi-Lites ; thus, Eugene Record ...
The music video for the second single "Borderline" premiered on July 31, 2020, the same day it was released as a single and that B7 was released. [34] Like "Baby Mama", the video for "Borderline" was directed by Blanks and Gatson Jr. [ 35 ] On August 19, 2020, she released a behind-the-scenes look at the making of the "Borderline" video. [ 36 ]
Boyd recorded the song "I Saw Mommy Kissing Santa Claus" for Columbia Records in 1952, when he was 13 years old. [2]It became a hit, selling over two and a half million records in its first week's release and Boyd's name became known internationally. [2]
"Baby Mama" is a song recorded by American singer Brandy, featuring rapper Chance the Rapper. It was written by Norwood, Chance, Akil King, and Kimberly "Kaydence" Krysiuk for her seventh studio album B7 (2020), while production was helmed by Hit Boy and Norwood along with LaShawn Daniels .
"I Saw Mommy Kissing Santa Claus" is a Christmas song with music and lyrics by British songwriter Tommie Connor and first recorded by American singer Jimmy Boyd in 1952. [1] The song has since been covered by many artists, with the Ronettes 's 1963 and the Jackson 5 's 1970 versions being the most famous.
"Baby, It's Cold Outside" is a popular song written by Frank Loesser in 1944 and popularized in the 1949 film Neptune's Daughter. While the lyrics make no mention of a holiday, it is commonly regarded as a Christmas song owing to its winter theme.
Letterman recalled how, when Love first sang “Christmas (Baby Please Come Home)” on his NBC series in 1986, it was with just Shaffer and the house band, with no additional players or backup ...
"Santa Claus Is Comin' to Town" is a Christmas song written by J. Fred Coots and Haven Gillespie, and first recorded by Harry Reser and His Orchestra. [1] When it was covered by Eddie Cantor on his radio show in November 1934 it became a hit; within 24 hours, 500,000 copies of sheet music and more than 30,000 records were sold.