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Company Flow was an American hip hop trio from Brooklyn, New York City, consisting of Bigg Jus, El-P and Mr. Len. The group was at one time associated with the independent record label Rawkus Records. Rapper/producer El-P and DJ/producer Mr. Len founded the group in 1992 in Queens, New York where rapper/producer Bigg Jus later joined.
It was curated entirely by the group's fans who gave feedback on and suggested ideas for song concepts, features, packaging, and artwork. It features guest appearances from Aesop Rock, Del the Funky Homosapien, and Murs. [28] The same year, CunninLynguists' lexicon was also found to be one of the richest among rappers who perform in English. [29]
It was released on September 3, 1996, via Rap-A-Lot Records. The recording sessions took place at Creator's Way Studios in Chicago and at Lil J Studio in Houston. The album was produced by the Legendary Traxster, Mike Dean and Crazy C, with J. Prince serving as executive producer. It features guest appearances from Twista and Johnny P.
In the song, the group express their love of country music and southern culture, while also expressing their dislike of hip hop music. "Rap is Crap (I Hate Rap)" was written by Jimmy Hart and Howard Helm, and was released on the album WCW Mayhem: The Music. The group's original theme song, "Good Ol' Boys", was based on Jeff Jarrett's theme song ...
After playing a bunch of songs from the early aughts, they stumbled on J-Kwon’s 2004 debut, “Tipsy,” which came out when Shaboozey was 9 — the age when he fell in love with Southern hip ...
Violator: The Album is the first installment in the Violator hip hop compilations series. It was released on August 10, 1999 through Violator/Def Jam Recordings.It was the first release through the imprint Violator Records, a spin-off of Mona Scott & Chris Lighty's Violator Management company.
Machine Gun Kelly seems to be dissing Jack Harlow in his new track.The rocker released "Renegade Freestyle" on Saturday and fans on social media quickly pointed out that it was targeting Harlow.
Q Magazine said the soundtrack "suggests that the future for both metal and rap as a kind of agit prop soapbox style is secure". [ 11 ] Due to the success of the Judgment Night soundtrack, Walters took a similar approach to the soundtrack of the 1997 film Spawn (mixing rock/electronic) and the soundtrack of the 2002 film Blade II (mixing ...